sing-for-your-lover:

there’s a dude playing vivo per lei on the accordion on the subway and all i can think about is dolan’s mommy



I miss him every day I live. It only grows.
Martha Gellhorn, from a letter to Rosamond Lehmann featured in Selected Letters
(via violentwavesofemotion)

(via violentwavesofemotion-deactivat)


saskdraws:
“Nothing can stop us!
”

When they talk about the tortured genius,
somebody always brings up Van Gogh—
how he swallowed yellow paint because
he wanted to put the sunshine inside himself.
How his psychosis was probably
the result of lead poisoning.
They call him a miracle, but what I see is a man
who was so sad, he found a beautiful way
to kill himself.
 
They say, “it’s awful isn’t it?” They say,
“It’s always the talented ones who go before their time.”
And me, a nine year old kid
who’s always been told they were so
talented
wonders when I am going to die.
 
We study them in school, the tortured artists.
Look at all the poets who killed themselves
what would their work have been without their depression?
It’s it beautiful, isn’t it sad?
As if depression is a parlor trick—
pull it out at parties, impress all your friends.
As if depression isn’t seeing how long
you can go between showers
before somebody notices or
pizza rolls for dinner three nights in a row
and then nothing the night after,
because going to the store is an impossibility
that you have not yet gathered the courage to conquer.
 
It is the least beautiful thing I’ve ever seen
and we call it the mark of an artist
to stand in the center of an ocean
and see nothing but desert.
To be seated at a feast, but still
swallowing sand.
 
Depression is the yellow paint, the yellow paint,
THE YELLOW PAINT, THE YELLOW PAINT, THE
YELLOW PAINT, THE YELLOW PAINT, THE YELLOW
PAINT, THE YELLOW PAINT, THE YELLOW PAINT—
 
Art is a coping mechanism.
Van Gogh is good because when he had nothing,
he had paint. When he was empty, he had paint.
When the world was awful, he had paint.
When he hated himself, he didn’t hate the paint.
He whitewashed over his own masterpieces,
because it was never about being famous,
it was about doing the one thing
that made sense when everything else didn’t.
 
And they say, “without his illness, we
never would have gotten all—this.”
because they value his art more than his sanity
because god forbid you lead a happy life
and leave nothing to remember you by.
VINCENT, by Ashe Vernon (via latenightcornerstore)

(via sing-for-your-lover)



In my own person I am forced to know / How much must be forgotten out of love, / How much must be forgiven, even love.

commovente:
“this makes me feel so safw
”

Back from Vacation

apoemaday:

by John Updike

“Back from vacation,” the barber announces,
or the postman, or the girl at the drugstore, now tan.
They are amazed to find the workaday world
still in place, their absence having slipped no cogs,
their customers having hardly missed them, and
there being so sparse an audience to tell of the wonders,
the pyramids they have seen, the silken warm seas,
the nighttimes of marimbas, the purchases achieved
in foreign languages, the beggars, the flies,
the hotel luxury, the grandeur of marble cities.
But at Customs the humdrum pressed its claims.
Gray days clicked shut around them; the yoke still fit,
warm as if never shucked. The world is still so small,
the evidence says, though their hearts cry, “Not so!”


eccellenze-italiane:
“ Sandro Botticelli
LA PRIMAVERA - dettaglio
”

I had to go through a time of isolation in order to come to terms with who and what I was.

My poems are more my silence than my speech. Just as music is a kind of quiet. Sounds are needed only to unveil the various layers of silence.


Confession may be good for the soul, even necessary if the soul is to survive–it is certainly not easy. Nothing worth while is.

Plus je vieillis et plus je trouve qu’on ne peut vivre qu’avec les êtres qui vous libèrent et qui vous aiment d’une affection aussi légère à porter que forte à éprouver.
Albert Camus (via mortdevivre)

(via attar-of-rose)

sleepy themes